Chris Dunn Images 2/7/24

Guest on the 2/7/24 show, Christopher Dunn shares images related to his presentation on the Great Pyramid in Giza, Egypt.

#1) Pictured above-- Planet Earth. A dynamic energy source with a 50-100 km thick layer of igneous rock that releases vast amounts of electricity when placed under stress.

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#2) The Schematics of a Solid-State Power Plant.

A: Pulse Generator [AKA Subterranean Chamber]

B: Hydrogen Production Chamber [AKA Subterranean Chamber]

C: Chemical Inlet Conduit (Hydrated Zinc) [AKA Queen’s Chamber North Shaft]

D: Chemical Inlet Conduit (Dilute Hydrochloric Acid) [AKA Queen’s Chamber South Shaft]

E: Acoustic Amplifier [AKA Grand Gallery]

F: Acoustic Filter? [AKA Antechamber]

G: Resonant Cavity [AKA King’s Chamber]

H: Waveguide [AKA King’s Chamber North Shaft]

I: Microwave Pre-Amplifier [AKA The Big Void]

J: Power Output Shaft [AKA King’s Chamber South Shaft]

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3) View of Resonant Chamber Plan-- Top view of Power Center.

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4) North Shaft Wave Guide-- If only providing ventilation to the chamber, why such a complicated design?

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5) Resonant Chamber North Shaft-- The opening of the North Shaft is 8.4 * 4.8 inches. The wavelength of hydrogen is 8.309 inches.

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6) South Shaft Horn Antenna - The opening of the South Shaft is directly opposite the North Shaft.

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7) Grand Gallery Scorch Marks --

A: East-West Cross Section. Resonator frames are locked into position using recesses cut into the side ramps. Vertical orientation is established by using the slots cut into the corbel along the length of the east and west wall.

B: North-South Cross Section.

C: Close up photograph of scorch marks on ceiling of Grand Gallery after the interior of the Great Pyramid was cleaned. Photograph taken in 2001.

D: The Grand Gallery illustrating the correlation between the pairs of scorch marks (E) and the resonator frames that were first discussed in The Giza Power Plant, 13 years earlier.

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8) Grand Gallery Acoustic Spectra -- Robert Vawter’s spectra with Grand Gallery illustrating corbels responding at different frequencies to sound input. Note: This graphic is for visual effect and is not intended to suggest that the acoustic spectra gathered inside the gallery exists within the limestone wall blocks.