UAP Hearing / Rock Music Legacies

Hosted byRich Berra

UAP Hearing / Rock Music Legacies

About the show

Guest host Rich Berra (email) was joined by author Whitley Strieber in the first half of he program to discuss UFO-related topics. Strieber delved into the recent UAP hearing, emphasizing that the timing was deliberate—a signal from Congress to the incoming executive administration to end decades of secrecy, which dates back to the Truman administration. He highlighted the pervasive stonewalling across administrations, attributing the lack of media coverage to the dependency of mainstream outlets on the Pentagon for information. According to Strieber, the secrecy is so entrenched that even Freedom of Information Act requests are thwarted by the private sector offloading critical records, making them inaccessible to the public. He underscored the fragmented and undocumented nature of UFO-related research, referencing historical instances of concealed evidence and the sophisticated methods used to keep information hidden. Strieber stressed the importance of continued congressional and public pressure to uncover the truth.

Strieber also recounted a traumatic abduction on December 26, 1986, which radically altered his perspective on extraterrestrial phenomena. Initially dismissing the event as a nightmare, he later confronted physical evidence of an encounter, including injuries and memories of intrusive procedures conducted by non-human entities. These experiences led him to speculate that the visitors were involved in creating hybrids or performing experiments on humans, possibly tied to a larger agenda. Reflecting on his abduction and subsequent hypnosis sessions, Strieber expressed frustration over the ridicule he faced, particularly regarding the infamous "rectal probe" stereotype, while emphasizing the depth and seriousness of his ordeal. This, combined with observations of telepathic capabilities among hybrids and autistic individuals, suggested to him a transformative shift in human consciousness driven by these mysterious beings.

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During the latter half of the show, attorney and author James A. Cosby explored the history of rock music and its cultural significance. He traced the origins and evolution of rock and roll, starting with its roots in blues, gospel, and country music. These genres developed on parallel tracks before converging in the 1950s, creating a unified sound that revolutionized American music, he explained. Cosby traced the origins back to the post-slavery era, highlighting the role of Memphis in the late 1940s as a hub where musical boundaries were crossed, with R&B evolving into rock and roll. Iconic early artists like Elvis Presley, Chuck Berry, and Little Richard were pivotal in blending these influences. Cosby credited the Pentecostal church's energetic musical traditions for shaping the ecstatic and soulful qualities of early rock, exemplified by artists like Sister Rosetta Tharpe.

He credited the British Invasion of the 1960s for reinvigorating blues and rock music in the United States. The Rolling Stones, The Beatles, and other British acts deeply embraced American blues, repackaging it for a global audience, he remarked. This era marked rock's role as a unifying force, cutting across racial and cultural lines, he continued. According to Cosby, as rock diversified into subgenres—soul, funk, garage rock, and more—its cultural impact remained significant. He underscored rock's unique ability to bring people together and address social issues, from civil rights to the Vietnam War, making it both a mirror of and a catalyst for cultural and social change.

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